| Title: | Instrumentation: | Year: | Genre: | ISG Pubs. Cat. # | Recording? | Comments: |
| Duet | Double Bass and Piano | 1977 | Jazzy, Polytonal | 201 | Lyrical with plenty of fun for both instruments | |
| Dirge | Double Bass and Piano | 1978/84 | Polytonal | 103 | Arrangement (1984) of my Dirge and Dances for Two Pianos (1978) | |
| Two Serenades | Solo Double Bass | 1979/99 | Virtuoso Contemporary | 115 | ISG: cd2, 3 | Both pieces (10 min. ea.) explore the entire range of the instrument. |
| Plateau Scenes | Flute and Double Bass | 1980 | Lyrical, modern | 202 | available | Lots of harmonics in bass, polytonal (major 2nds) but very lyrical |
| Septet | Flute, Clarinet, Horn, 2 violins, viola, cello and double bass | 1980 | dancy, polytonal-phonic | 307 | apx 15 minutes of fun large ensemble playing in modern, yet lyrical styles | |
| Sonatina no.2 | Double Bass and Piano | 1984 | Polytonal, lyrical | 104 | ISG:cd1 | Written for David Walter. Three duo-sonata movements. Popular. |
| Etudes for Double Bass | Solo Bass Pedagogy | 1985-96 | Pedagogy | 113 | ||
| Deserts | Solo Bass and Timed Candle | 1986 | Improvization | 105 | available | specific staging, music timed by candle burning |
| Quintet no.1 for Strings | Two Violins, Viola, Cello, Double Bass | 1986/7 | Contrapuntal, lyrical, polytonal | 302 | available | 4 virtuosic movements apx. 25 minutes |
| Caprice for the Contemporary Bassist | Solo Double Bass | 1987/8 | Contemporary | 106 | ISG: cd2 | Pedagogical works for the concert stage |
| Duet "For Michele" | Double Bass and Cello | 1987 | Lyrical duet, easy | 203 | ISG: cd2 | An easy duet of modern lyrical style. About 6 minutes |
| Triesti Suite | Cello or D.Bass and Piano | 1988/96 | Lyrical, polytonal | 108,401 | available | originally for cello, arranged for bass in 1996 |
| Danse Burlesque | 2 Violins, Viola, Cello, Double Bass and Piano | 1988 | Full virtuosity, dance characters, polytonal and "driven" | 304 | available | with piano added to a quintet creating better rhythm for modern dance |
| La Chasse for String Quintet | Two Violins, Viola, Cello, Double Bass | 1989 | Quick and energetic music for modern dance. | 303 | available | apx 10 minutes of polytonal, fast moving music that tells a tale of "the Chase" of Death after ... |
| Les Champs de Loivre | Two Violins, Viola, Cello, Double Bass | 1989 | Lyrical and melodic | 306 | available | Musical painting of French contryside |
| Concert Duo | Two Double Basses | 1989 | thick expressionism in modern harmony. Very popular | 204 | ISG: cd1 | Commissioned: two movements: the first is rhapsodic, the second in fun"cajun" style dance |
| Cadenzas for Popular Concertos | Solo Double Bass | '89,2000 | Classical era style | 109 | Classical style cadenzas for Dittersdorf, Vanhall, Capuzzi | |
| A Chandelier | Cello and Chamber Orchestra | 1989 | One mvt. in three parts going "back in time" for contemporary harmonies to Renaissance sounds | 402 | available | Commissioned concerto. Chamber orchestra has no cellos, a small wind compliment, and one percussionist. |
| Incantation for Solo Viola | Viola | 1989 | Modern lyricism | 404 | apx 6minutes of full range lyrical virtuosity | |
| Gjauticurattefiticus in term in al aei | Double Bass solo with string trio (vln, vla, vc) off stage, and Solo Dancer | 1990 | memorized bass part includes improvization | 301 | Dark stage, dance is improvized, bass and trio interact. Dramatic polytonality. | |
| Sonatina no. 3 | Double Bass and Piano | 1990/00 | Aggressive virtuosity | 116 | available | non-stop aggressive 1st mvt., waltz 2nd, lyrical 3rd. Lyrical overall |
| Juste Melodie | Solo Double Bass | 1991 | Lyrical/Contem | 107 | ISG: cd1 mp3 | Lyrical and popular, less than 5 minutes. Hear the mp3 |
| Plight of the Bunny (Easter Encore) | Double Bass and Piano | 1992 | Bottesini-like virtuosity | 111 | ISG:cd2 | A flashy, short encore piece for after your grand recital |
| Danny Bass | Six Double Basses | 1992 | Arrangement of "Danny Boy" | 503 | modern arrangement of popular folk song | |
| The Sentinals for Piano Trio | Violin, cello, and piano | 1993 | lyrical, rhythmical, virtuosic esp. for cello | 403 | Commissioned work (Vista Trio, Los Angeles) in three large sections in one movement | |
| Five Vignettes | Two Double Basses | 1994 | Mix of modern choral and jazz idioms with improvizations. Also very popular | 205 | ISG: cd1 | Written for John Clayton so elements of modern lyrical choral playing and jazz with variety of characters that have a program |
| Danny's Bass Camp | Four Double Basses | 1994 | Another arrangement of Danny Boy | 504 | ||
| Antiphonal Dance | Eight Double Basses in two groups of four | 1995 | "Hollywood-like" melodies in rhythmical antiphony | 502 | Exciting and fun effects with antiphonal answering | |
| Reflet sur Cher | Solo Double Bass | 1996/00 | Virtuoso Contemporary | 117 | ISG: cd7 | Written for David Walter. Recorded on "Soliloquy." Virtuosic lyrical |
| The Frog Prince Continued... | Violin, Double Bass, Soprano, Tenor | 1996 | modern lyricism | 310 | ISG: cd1 | Operatic tale of the children's book. 18 min. |
| A Toi | Double Bass and Piano | 1997 | ContemporaryConterpoint | 110 | available | Baroque elements, virtuosic, incoporated later in Sonatina #3 |
| Scale Studies for Virtuosity | Solo Bass Pedagogy | 2000 | Pedagogy | 114 | ||
| Dance of the Marionettes | Marimba, Harp, Double Bass | 2000 | modern lyrical dance music | 311 | Commissioned work for dance. Bass is less prominent than Marimba and Harp | |
| Suite "Pou Sto" | Violin, Double Bass, Piano | 2002 | Four dance movements each in different character. Virtuosic | 405 | available |
First Prize winner in ISB Competition. Mix of genres all very different. |
| Ditties for Piano | Solo Piano | 2002 | Five virtuosic movements based on "food" themes but in polytonal, modern harmonies | 406 | available samples |
Written for Tanis Gibson. Movements: "baskets","melons","rolls","the infusion waltz","steve's plate" (a nod to Minimalism) |
| Septembering Arms | Soprano, Double Bass, Piano, and Violin | 2003 | Seven art songs on the poetry of E.E.Cummings. Violin in two movements only | 312 | coming | 40 minutes of beautifully lyrical and virtuosic settings of Cummings striking poetry. Great variety of styles. Each song can be by itself. |
| Duo Éclatant | Violin and Double Bass | 2004 | Three movements of "meaty" playing. Polytonal | 206 | available | Written for Mark Rush. Three wild and virtusosic movements that explore the entire range of the instruments, and the players' abilities. |
| Duo Roulant | Violin and Double Bass | 2004/5 | Three movements of "dancy" playing. Polytonal | 207 | soon | Written for Mark Rush. Three dancy and virtusosic movements that explore the entire range of the instruments, and the players' creativities (improvization) |
| Canons and Dances | Two Violas | 2005 | One movement of canons and dance forms intermingled in neo-modern melodies and harmonies | 208 | soon | Written for Scott Slapin and Tanya Solomon. Neo-modern sounds including dance forms and canons of olden times. |
| Suite for Violin and Piano | Violin and Piano | 2006 | Using some jazz-like and Turkish style idioms and impressions, these three dances require vitusosic and energetic playing. About 15 minutes. | 209 | soon | Written for and commissioned by Hülya Alpakin and Emi Tanabe, both of Chicago |
| City Vignettes for Contrabass Flute, Double Bass and Piano | Contrabass Flute, D. Bass, Pno | 2008 | Two beautiful and energetic movements using the entire range of both bass instruments | ISG: cd8 | Written for and commissioned by Peter Sheridan of Melbourne Australia. | |
| Looking Glass Waltzes | Piano solo | 2008 | A set of five waltzes of moderate challenge and diverse emotion. Any one can be used for dance class. All five go together well for concert situations | soon | Written for and commissioned by Hulya Alpakin of Chicago and premiered on live radio broadcast | |
| Ayres: Reminicsences for Tuba and Double Bass | Tuba and D.Bass | 2008 | Really a set of arias and dance-like forms utilizing the entire range of the tuba in folk-like melodies. D. Bass range is more limited but lyrical. | soon | Written for and commissioned by Dan Brown and Lisa Riddering | |
| Concert Sonata for Violas | Two Violas | 2008/9 | in process | Commissioned by Scott Slapin and Tanya Solomon |
